Eilen Jewell "Boundary County," 2006
Eilen Jewell writes songs on the country side of Gilliam Welch, tunes rooted in the Appalachian tradition delivered
with pure toned, unadorned vocals. Jewell’s retro sound is ably supported by a full band, including Daniel Kellar’s
mournful fiddle and Jerry Miller’s tasteful work on guitars. The title track opens, introducing the first of many
characters who suffer for the homes they need or the homes they need(ed) to leave, where "the fields / reach their
arms out so wide / like heaven’s only bride." "Flood," a very angry song, lays the blame for the destruction of New
Orleans on "you our leader" and other leaders who "call themselves distracted." Keep a lookout for Jewell’s next CD.
"Boundary County," an independent release about native soil, led to her signing with the folks at Signature Sound
Records. Judging from their track record and Jewell’s exceptional debut, expect a fruitful homecoming.
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David Kleiner
Ernie Southern "Prozac Blues," 2006
Southern’s wry sense of humor, gritty vocals, and down home delta blues make "Prozac Blues" a much needed serotonin
boost for the post-holiday doldrums. Joined by Bruce Johnson on smoking and omnipresent blues harp and Dan Fleming,
who provides the perfect amount of percussive embellishment, Southern serves up a dozen classic blues and originals
in authentic delta style. His weapons of choice: National Resophonic Delphi and Tritone guitars, and Porchboard bass.
Worth a mention are Southern’s compelling workup of Robert Johnson’s "Hellhound on My Trail" and the spirited album
opener and F. Floyd tune, "Rockin’ Chair Daddy." Southern’s own sardonic "Ain’t Goin’ Bald Just Gettin’ Mo’ Head" and
heartfelt "Just the Way You Say Goodbye" fit nicely alongside such classics and demonstrate his creative gift and
range of emotion.
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Chip O'Brien
Steve Hancoff "The Single Petal of a Rose (Duke Ellington for Solo Guitar)," 2004
This collection displays guitarist Hancoff's considerable skills as a guitarist and arranger. In his musical world,
microtones and polyrhythms have equal standing with melody and harmony. A careful listening of this disc reveals a
joyous, barrelhouse sensibility. Hancoff uses broken meters, string bends and changes in right-hand attack to convey
the spirit of Duke Ellington's music from an acoustic guitarist's perspective. Pieces such as "Hard Way," "Serious
Serenade" and "Goin' to Town" exemplify this approach. "The Single Petal of a Rose," "Melancholia" and "Village of
the Virgins" represent the Duke's more reflective side. It's a tough call to compare an album rooted in the
tonality of American Primitive Guitar with other Ellington tribute projects by such jazz and R & B stalwarts as
Ellis Marsalis, Marian McPartland and Dr. John, but Hancoff succeeds in reworking this music in ways that are both
novel and entertaining. Hancoff's approach will attract many listeners. Further, guitarists who want to arrange
and perform the music of major composers can learn much by listening to him - it's no stretch to call Steve Hancoff
an interpretive master.
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Patrick Ragains
Mike Gaito "Beard of Bees," 2006
"Beard of Bees" buzzes with inspiration drawn from the far corners of folk, jazz, progressive rock and experimental
pop. With the exception of drums, Gaito emerges as an eccentric one man band, plying his craft with an arsenal of
electric/acoustic guitars, bass, and keyboards abetted with the sounds of loose change, hand claps, barley shakers,
and whatever else happened to be lying around. The artist's tongue is oft planted firmly in cheek as evidenced in
the quirky, stream of conscious diatribe "Giant Canoe" which proclaims "you let me soar like Aladdin/hit like Dan
Gladden/talk like John Madden/sing like Mike Patton/play like the Mothers in '74." Odd time-signatures, swift-key
changes, layered vocal harmonies, mind-blowing interplay, and a strong sense of storytelling abound through each of
the fifteen epic tracks. I could envision Richard Thompson, the ghost of Frank Zappa, or Brian Wilson digging this
record.
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Tom Semioli
Julie Loyd, "All That You Ask For," 2006
One guitar. One ferocious punk-folk strumming attack on the strings (see: "Make of Me"). Unusual voicings, frequent
sus chords. A whole lot of attitude with a whole lot more vulnerability than you’d expect. Sexuality and politics
("The Waiting Room"). Exploration of relationships, romantic ("Fate Says He’s Sorry") and familial ("Jefferson High").
No, it’s not that guitar slinging righteous babe. Though the comparison is unavoidable, I suggest you discover what’s
distinctive about Loyd in this in-performance album of her most requested songs. Start with "Birthday Song," a title
track of sorts. Shiver to the gorgeous resonance in Loyd’s voice. Note the way the lyrics play with the notion of "all
that you ask for." Appreciate Loyd’s candor when she sings, "When the time is right, I will let you see through me."
As this record proves, Loyd bares herself on stage with all the honesty, intelligence, energy, and beauty any listener
could ask for.
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David Kleiner
Chris Rosser, "Hidden Everywhere," 2006
What is it about the Asheville, NC area that breeds great songwriters like David Wilcox and Chris Rosser? Similar
to Wilcox, Rosser uses a crisp acoustic guitar in an open tuning in many of his songs and like Wilcox’s latest
album, some of his songs amp it up a bit. He plays a kazillion instruments including acoustic and electric guitars,
keyboards, bass, mandolin, banjo, washtub and yep, right here in the liner notes it says "vase." He’s aided by some
very capable sideplayers including the versatile vocals of Beth Wood, creative percussion from River Guerguerian and
tasty bass work by Don Porterfield. And oh the songwriting! He deftly dodges tired clichés, presenting us with moving
vignettes of everyday people. The disc opens with a bang, the upbeat "Favorite Part," a funky keyboard at its booty
shakin’ center. "Anna Has a Secret" is a heartbreaking story of a young woman in 1923 who sees a doctor in the next
town who "takes care of this kind of thing." There’s a wonderful Middle Eastern feel to "Broken Wing." This CD is
so highly recommended that if you don’t buy it I’m driving to your house to change your mind.
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Jamie Anderson
Luke Winslow-King, 2006
Luke Winslow-King's untitled 2006 CD delivers much more largess than its lack of title suggests. In fact,
it's a veritable string-fest -- acoustic guitarwork is embellished by the lush additions of viola, violin and cello.
Lyrics are uncomplicated and soothing. Winslow-King's voice has a quiet, haunting
quality to it, reminiscent of Neil Young (if Neil were a great singer). Guest vocalist "Daisy" May Erlewine
complements Luke's gentle tone on the duet "Staying People Stay, Going People Go". Other musical guests include
bassist Dominic Suchyta from the newgrass band "Steppin' in It." The CD is artfully packaged, in harmony with the
musical gems inside. This talented young musician, singer and songwriter comes to us from Central Michigan via
New Orleans and New York. We look forward to hearing more from him and his talented friends.
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Kate Shepard
Si Hayden "Nylon... For Now," 2006
This album is refreshingly honest - UK-based composer/guitarist Hayden plays the entire program solo and with no
overdubs. His nylon string guitar is recorded with a hint of echo, thereby enhancing the drama of his flamenco-based
style. Hayden flawlessly executes the genre's characteristic strums, descending single-string runs and soundboard
taps, as in the opening track, "Like Fire." Yet he typically makes things more interesting by weaving more complex
harmonies and smooth jazz elements into each of the tunes. "One Weekend" is a good example of this, exhibiting an
original compositional sense while incorporating the flamenco devices to add energy and variety. He also fuses
these elements on the uptempo "Are You Going to Eat All That?," which fades out too soon, and the closer, "Sounds
Better in Red." He builds on Cuban rhythms in "Black Magic Nylon" as a springboard for a lively and multifaceted
improvisation. Si Hayden's appeal comes from successfully melding flamenco with more modern sounds, and doing so
without gimmicks or artifice - I'd love to see him perform. Both guitarists and general listeners will enjoy this
CD; turn it up and enjoy.
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Patrick Ragains
The Nick Strange Band "Stray Dog Serenades," 2006
If someone whispered in my ear that "Stray Dog Serenades" were lost Tim Buckley tracks recast in modern times,
I'd believe it. Singer Dan Orcutt's expansive melodic sensibilities combined with the jazz fueled folk rock of
his mates, bassist Rob Crozier and drummer Jim Latini, are most evocative of the late, great tunesmith's best
recordings, but never derivative. "Your Eyes" simmers with the sweat of a live performance as the band tempers
its rhythms and dynamics to compliment Orcutt's every breath. Guest backing vocalist Jessica Oberholtzer duels
Orcutt throughout "Lucinda" a raging, neo-Crazy Horse romp of pathos and yearning. Delta swamp funk abounds in
"Ten Dollar Date" as Orcutt's weepy slide playing pushes the rhythm section's taught syncopated beats at a
furious pace. "Carrie's Orchestra" is a thumping four-to-the-bar rocker worthy of a young Springsteen. My only
question; who is Nick Strange?
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Tom Semioli
Justin Klump, "Something for September," 2006
23 year-old singer-songwriter Justin Klump made some very wise investment choices as a very young man. He took a
road less-traveled for a teen, immersing himself in the rigors of classical guitar study and obviously earning some
artistic capital in the process. Like John Mayer, Hootie & the Blowfish and Dashboard Confessional, there's an
intellectual maturity to his brand of radio-ready pop which is the Holy Grail sought by every teenager with a guitar.
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Alan Fark
Art Sulger - 12-String Cycle
Sidewalk Saints - Roots Gospel Guitar
JP Jones - Magical Thinking
Richard Elliott - From Every Angle
Scott Alarik - All That is True
Isbin/Gauthier/Walton - Venice Suite
Jason Vigil - Heart Gone Sober
Matt Angus
Dimestore Dandelion - Oil and Water
Tracy S. Feldman - Survivin' in the Burbs
Greg Taylor - All in My Hands
Woodrush - So Far From Home
Oxymora - Thundering Silence
Andrés Wilson & The Waters - Ink & Sound
Paul Hlebcar - Stand Alone
Lenka Lichtenberg & Brian Katz - Pashtes
Blitch Bango - You Said She Said